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S DA FOUNTAIN Odyssey archive · est. 2000
Episodes 447 of 1,068
0441b 8 Apr 2000 10 min

Idol Minds

Whit is away in Chicago for two weeks, and David and Mandy refuse to take their big questions to anyone else - not even Connie. So Eugene builds a computer that answers in Whit's own recorded voice, and soon the whole gang is hooked, even Connie. But a voice isn't enough... next comes a giant poster, then Whit's sweater, coffee cup, and tools piled around it like a shrine. When Eugene stays up all night building an animatronic Whit, the kids crowd around the machine - and don't even notice when the real Whit walks in the door. Stunned by what he sees, Whit pulls the plug and sends everyone home to read the story of the golden calf. Eugene and Connie discover they've built an idol out of missing a friend, and that the place they gave it belongs to God alone.
Found on In Your Wildest Dreams Album 34 · 17 episodes

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The story

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David and Mandy have important questions that they are saving for Whit, but he is spending two weeks at a Bible warehouse in Chicago. They dismiss Connie’s offers of advice and insist that no one else can replace him. Eugene decides that technology can solve the problem.

Using thousands of recorded responses, Eugene creates a computer program that answers questions in Whit’s voice. Its replies are not always accurate, and it sometimes confuses names, but the children are delighted. Connie initially feels overlooked, then begins arriving early so she can consult the computer herself.

The recorded voice soon seems insufficient. Mandy asks for a picture of Whit, so Eugene places a large poster beside the computer. The children gather Whit’s sweater, coffee cup, apron, and tools around the image, but even these physical reminders do not satisfy them. They want something they can touch and hug.

Eugene works through the night and unveils an animatronic Whit. The children crowd around the moving figure and ignore the real Whit when he unexpectedly returns. Disturbed by the imitation and their obsession with it, Whit unplugs the machine and sends everyone home to read Exodus 32.

The account of the golden calf makes the problem clear to Eugene and Connie. In missing Whit, they have created an image, surrounded it with meaningful objects, and allowed it to take a place of devotion that belongs only to God. Whit tells them not merely to apologize to him but to seek God’s forgiveness. Even Eugene’s proposed animatronic golden calf for a Moses display is wisely abandoned.