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The story
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Sam Johnson and Erica are preparing a report about Christmas carols from around the world. Whit offers a more vivid lesson than a list of answers and programs the Imagination Station to carry them, Eugene, and Tom Riley through several countries and time periods. The crowded travelers squeeze inside, start the machine, and set off to discover how people in different places celebrate the birth of Jesus through music.
Their first stop is a country church in nineteenth-century England. A welcoming vicar mistakes them for guests and invites them to join an evening of caroling. The community sings about rejoicing because Christ has been born to save, then moves into the church as visiting Irish singers contribute music of their own. Eugene explains that travel across the Irish Sea allowed the customs of Ireland and England to influence one another.
The gathering continues with Scottish bagpipes and a song urging everyone to keep the light of Christmas burning. As the pipes play, the Imagination Station carries the travelers into an Italian monastery during the eighteenth century. Sam is surprised that the music has followed them, but Eugene explains that Italian shepherds also played bagpipes. During the Christmas season, they came down from the mountains to serenade villages and invite children to sing.
Inside the monastery, silence settles over the worshipers before the monks and their young students enter. Their solemn music expresses Israel’s longing for Emmanuel and the hope that he will come as the King of Peace. Sam finds the singing beautiful, although his repeated questions earn several reminders to be quiet.
The travelers next arrive at the great cathedral of Notre Dame in France. Familiar songs celebrate the angels’ announcement to the shepherds and the holy night of the Savior’s birth. Sam has always thought of the carols as American, but Eugene points out that many songs now loved in America began in other countries.
A French worshiper overhears them and refuses to let visitors remain alone on Christmas Eve. He invites them to his family’s Réveillon, the traditional meal following the midnight service. While the table is prepared, the family celebrates Noël with more music about honoring the newborn King. Sam looks forward to the food, but the Imagination Station moves them onward before they can eat.
Their final stop is a small church in the Austrian Alps near Salzburg in 1818. Eugene knows the exact setting because he helped Whit program this part of the journey. The assistant pastor, Joseph Moore, is anxiously preparing for the Christmas Eve service when the church organ suddenly stops working.
The choir is ready and the villagers will soon arrive, but they have no instrument to accompany their Christmas songs. Sam cannot imagine what a broken organ in a distant mountain church has to do with the music people sing in his own time. Eugene tells him to wait and see.



