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The story
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After school at Odyssey Elementary, Jessie Morales leads her blindfolded friend Donna Barclay down the hall to the bulletin board, where classmates wait with congratulations: Donna has been chosen to host the annual Fall Festival. Jessie has entered Donna's name herself, hoping the honor will cheer up a friend who has been acting strange lately. Instead of celebrating, Donna refuses flat out. She wants nothing to do with the festival, not this year or any other, and she heads home, leaving Jessie baffled.
Jessie brings the trouble to John Whittaker at his ice cream shop, where he has been showing his English friend Reginald Duffield around and practicing how to brew him a proper cup of tea. Whit assures Jessie that Donna is not mad at her; something else is wrong. Leaving Reggie to mind the shop, the two drive to the Barclay house and find Donna out back, feeding a cat named Ferguson and telling him it might be safer never to get too close to anyone, because people go away. When Whit presses her, Donna's calm cracks: nobody cared what she wanted, she says - not even God - and she demands to be left alone. Jessie is stung, but Whit explains that Donna is not talking about her. She means someone she knew before Jessie came to town: a girl named Karen.
Over tea, Whit tells Reggie the story. Almost exactly a year ago Karen developed cancer in her leg, and though everyone hoped she would recover after the amputation, the disease had spread too far and she died a few weeks later. One of the last things Karen did was take part in the Fall Festival, which is why the invitation hit Donna so hard. Donna has dealt with the loss by refusing to deal with it at all; she has not visited Karen's grave even once. Reggie, quoting his old commander at Guadalcanal, prescribes a confrontation: when all else fails, attack straight on.
Meanwhile Donna's brother Jimmy and his friend Oscar Peterson, assigned a Shakespeare scene for the festival, have talked Duffield, who is from England, into coaching them through Romeo and Juliet. Rehearsals sour when Jimmy discovers that Juliet is a girl and he has to play her, until Duffield trades serious Shakespeare for a lighter touch and lets the boys play it for laughs.
Whit blindfolds Donna, her second blindfold that week, and drives her to the cemetery, telling her on the way about his son Jerry, who once hid every math assignment in his desk and learned the hard way that ignoring a problem does not solve it. At the cemetery Whit refuses to offer sympathy and names what Donna has been hiding: anger. At Karen for getting sick and leaving her, at God for letting it happen, and at herself for feeling that way. Donna admits all of it. Feelings are only reactions, Whit tells her; it is all right to have them as long as she does not let them control her, and the way through is to give them to God. Donna walks to the grave alone - she has a whole year of catching up to do - and Whit, whose son now rests in the same place as Karen, admits he has some catching up to do too.
At the festival, while Jimmy's comic Juliet plays out on stage, Donna appears backstage, apologizes for the way she has been acting, and asks for a moment in the program. Borrowing an idea from Karen at last year's festival, she reads the words of a hymn that begins "What a friend we have in Jesus," dedicating it to Karen, her old best friend; to Jessie and Mr. Whittaker, her new best friends; and most of all to the very best friend she has.




