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The story
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Bernard Walton finally reaches California and purchases the nearly new pickup that has motivated his long journey. Big Bargain Bill, an old high-school acquaintance, has given him a special price after taking Bernard’s old truck in trade. Eugene calculates that once travel, food, lodging, and the return trip are considered, Bernard has saved only $17.43. Bernard refuses to let arithmetic spoil his happiness and decides that they should visit Hollywood before turning toward Odyssey.
Using a celebrity-home map, Bernard searches Beverly Hills for the fifth house on the left, once owned by Hip Hobson, the singing cowboy hero of his youth. A high wall and tennis court block his view. Eugene then discovers that the map was printed in 1957, making it unlikely that Hobson still lives there. Bernard walks up the driveway to learn who does.
Before he reaches the house, a speeding car careens around the corner. Bernard leaps into the bed of his pickup while Eugene dodges out of the way. The driver, Kelsey Smith-Hammer, did not actually strike Eugene, but she and her companion insist on carrying him into the mansion. Kelsey’s father is Foster Smith-Hammer, a movie producer whose films are often boycotted when they reach Odyssey - a fact Foster regards as useful publicity.
Although Eugene feels fine, Foster summons his private physician for an excessive series of tests. Bernard accepts an invitation to relax in the hot tub while they wait. Meanwhile, Kelsey and Foster decide that Eugene’s appearance is perfect for Caspio, a corrupt accountant in Foster’s latest biker movie. Eugene expresses no interest, but they assume everyone wants to be in pictures and rush him away for a screen test.
Bernard meets Foster’s nine-year-old daughter, Tammi, who has worked in television since she was three. Acting has left her with a tutor instead of ordinary school, scripts instead of books, and no real friends. She has become so used to entertainment as a complete world that she asks Bernard which television show employs him as a window washer. Foster has taught her that any tale not made into a movie or television program is not worth hearing.
After dinner, Tammi refuses to thank the housekeeper, Angela, because Angela is paid to cook. Bernard persuades her with the promise of a story about a great prince on a secret mission - a story that has inspired many films. Once Tammi thanks Angela, Bernard begins with Mary’s visit from an angel and gradually tells her about Jesus. Tammi knows movies about angels but has no understanding of what a real angel is, making Bernard’s task more difficult and more important.
At the studio, director Lance Lincoln barely looks at Eugene’s performance. Foster’s approval is enough for him, and he openly admits that acting ability does not matter much in these movies. Eugene delivers one line as the crooked Caspio and is told to obtain an agent. Kelsey treats the effortless opportunity as Eugene’s entrance into fame and fortune.
Back at the mansion, Tammi asks Bernard to finish the account after hearing how Jesus raised Lazarus. Angela wants to listen too. She privately tells Bernard that she is a Christian, but Foster would fire her for discussing Jesus with Tammi. Bernard cannot be dismissed from a job he does not hold, so he gladly continues.
Tammi’s bedroom is filled with mirrors that help her prepare her appearance for the camera. Bernard explains that the Bible is a different kind of mirror, revealing who a person is inside. The great prince is Jesus, whose mission concerns Tammi personally. Bernard tells how Christ died on the cross because of human sin so that people can be close to God. Tammi understands that Jesus has done this for her and says she wants Him to live in her heart, as He lives in Angela’s.
Foster walks in at that moment. He orders Angela to put Tammi to bed and consider herself fired, then tells Bernard to leave the house. He objects to anyone teaching his daughter about Jesus under his roof, even while calling himself tolerant.
Elsewhere, Eugene finally stops Kelsey’s whirlwind schedule and says he does not want the movie role. He is troubled by the fakery surrounding him - not just the sets and performances, but people pretending to care only when friendship serves their ambitions. Kelsey says survival requires becoming rich and powerful enough to buy whatever one needs, even friends. Eugene asks what would remain if that artificial world collapsed. Kelsey admits that she does not want to know.
Her words have scarcely ended when a violent earthquake strikes. At the studio, Eugene recognizes the shaking and tries to guide Kelsey toward shelter. At the mansion, walls and mirrors shudder while glass breaks around Tammi. Bernard shouts for everyone to take cover, then sees the child near a broken glass vent. As the house shakes apart, he calls her name.

